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JOURNAL OF NEW MUSIC RESEARCH

Taylor & Francis 非OA 2026新锐 4区2025中科院 3区 已自动采集 最新完整样本 10 篇 平均 520.1 天

数据更新 2026-07-18 · 完整周期 10 篇 · 日期来源可逐条复核

JOURNAL OF NEW MUSIC RESEARCH已收录10篇完整论文周期样本,平均审稿520.1 天,中位审稿484.5 天。2025中科院3区,非OA,2025发文量14。页面含论文收到日期、录用日期、PDF、DOI和出版社网页溯源入口。

520.1平均天数
484.5中位天数
209最短天数
784最长天数
10最新论文
142025发文量

Latest Papers

最新发表论文审稿周期

审稿天数=录用日期-收到日期;保留 PDF/DOI/网页源链接

350

Beyond the instrument: a systematic review on the technological expansion of acoustic performance

作者Rui Travasso; Alma Ramírez

作者单位1. Department of Arts, Humanities and Sport, Polytechnic University of Beja, Beja, Portugal; 2. Department of Sciences and Technology, Universidade Aberta, Lisbon, Portugal; 3. CIEQV - Life Quality Research Centre, Portugal; 4. Department of Music, University of Évora, Évora, Portugal

PDF源文件 DOI 网页
784

Development and perceptual validation of an optical see-through augmented reality paradigm for performance simulation research in music

作者Nery Borges; Mário Vairinhos; Isabel Souto; Helena Marinho; Marcos Araújo; Anabela Pereira

作者单位1. University of Aveiro; 2. Universidade Federal do Rio Grande do Sul; 3. University of Évora

PDF源文件 DOI 网页
752

Real-time auralisation for music performers on virtual stages: general definitions and pilot study with guitar duets

作者Ernesto Accolti; Lukas Aspöck; Manuj Yadav; Michael Vorländer

作者单位1. National University of San Juan (UNSJ) and the National Scientific and Technical Research Council (CONICET); 2. RWTH Aachen University

PDF源文件 DOI 网页
497

Postural adaptations of saxophone players during music performance

作者Nádia Moura; Pedro Fonseca; Bárbara Magalhães; Marc Vidal; Sofia Serra; João Paulo Vilas-Boas

作者单位1. Universidade Católica Portuguesa; 2. University of Porto; 3. University of Coimbra; 4. Instituto Politécnico do Porto; 5. Ghent University; 6. Max Planck Institute for Human Cognitive and Brain Sciences; 7. University of Aveiro

PDF源文件 DOI 网页
472

Real-time sound synthesis from normal forms of dynamical systems

作者Antonio Ortega Brook; Dario Ruiz; Manuel C. Eguia

作者单位1. Universidad Nacional de Quilmes, Bernal; 2. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

PDF源文件 DOI 网页
568

Theoretically informed training improves accent production in percussion

作者Tristan Loria; Ben Duinker; Timothy Roth; Kate Corneliuson; Jason J. Zhang; Aiyun Huang; Michael H. Thaut

作者单位1. Washington State University; 2. McGill University; 3. University of Toronto

PDF源文件 DOI 网页
652

An unsupervised feature selection approach for finding diverse emotional-semantic representations in sonic branding music

作者Sebastian Silas; David Baker; Antoine Sachet; Daniel Müllensiefen

作者单位1. Goldsmiths University; 2. Hochschule für Musik, Theater und Medien; 3. University of Hamburg; 4. SoundOut; 5. University of Amsterdam

PDF源文件 DOI 网页
456

Validation of musical stimuli for emotion evaluation: the Musical Emotion Evaluation Test

作者Marília Nunes-Silva; Ana Raíssa Da Luz; Carlos Guilherme Schlottfeldt; Pedro Saulo Rocha Martins

作者单位1. Federal University of Minas Gerais; 2. State University of Minas Gerais; 3. Mapa HDS; 4. Psychology, Federal University of Minas Gerais

PDF源文件 DOI 网页
461

Classification of Iranian classical music using a combination of simple networks

作者Mehdi Ashena; Reza Ghaderi

作者单位1. Shahid Beheshti University

PDF源文件 DOI 网页
209

Pytakt: a Python library for symbolic music description, generation, and real-time processing

作者Satoshi Nishimura; Atsushi Marui

作者单位1. University of Aizu; 2. Tokyo University of the Arts

PDF源文件 DOI 网页